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Alexander Hughes – Brother Shabazz (Limited Edition T-Shirt/Packaging)

In a day and age where everyone and their nan have their own line of mediocre t-shirts, few actually have a deeper conceptual meaning, but many if not all use their produce as a means of raising awareness for their ‘brand’. Contrary to this mediocre movement within the apparel market, a seasoned ‘street’ artist, Alexander Hughes, has decided to launch the first phase of ‘Steady Pushing Dope’, a collection of T-Shirts and screen prints influenced by prominent role models that inspired Alexander’s artistry.

Malcolm X is a hero and role model to me. Never have I heard a greater story of change…

Malcolm X, May 19th 1925 – February 21st 1965, was an African American Muslim minister and a courageous human rights activist for the rights of African Americans at a time when racism, prejudice and segregation against blacks in the United States of America were the ‘norm’. Malcolm’s father and uncle were lynched by a brigade of White Supremacists from an infamous terrorist organisation, the Ku-Klux-Klan, after which he was placed into a string of foster homes after his mother was sectioned at age thirteen. In 1946, whilst serving a prison sentence for ‘breaking and entering’, at age 20 Malcolm embraced Islam, becoming a member of the Nation of Islam -then a controversial group- before departing in 1964. (wiki 2012)

After extensively travelling throughout Africa, Asia, South America and the Middle East, he founded Muslim Mosque, Inc. and the Organization of Afro-American Unity to heighten both spiritual and political consciousness, and promote Pan Africanism -a movement that seeks to unify people living in Africa into one African community- in order to empower African Americans. Leaning more towards a ‘Global Perspective’ by identifying a direct connection between the domestic struggles of African American’s for equal rights and the liberation struggles of Third World Nations, Malcolm X’s beliefs changed over the years from black supremacy and the advocation of the separation of black and white Americans -until the African Americans could return to Africa, which was in direct contrast to the civil rights movement -who he often referred to as stooges for the white establishment, criticising their 1963 march on Washington because it was run by whites in front of a statue of a dead president who didn’t like nor respect the blacks whilst he was alive. Malcolm X soon become a sunni muslim and disavowed racism, expressing a willingness to work with civil rights leaders -previously prevented from doing so in the past at the hands of Elijah Muhammad- but still maintaining black self-determination and using any means necessary to defend themselves. Malcolm’s speeches had a profound affect on his audiences, especially those who were tired of waiting for freedom, justice, equality and respect because he articulated their struggle better than the civil rights leaders. (wiki 2012)

Click To Purchase

Malcolm was not only an eloquent great orator but a man of great intellect, but inspired many with his passion and determination to make a change ‘By Any Means Necessary‘. These are four words which are applicable to all aspects of our lives, our daily aspirations, these four words ‘By Any Means Necessary’ make our dreams possible once implemented. It’s not quite as catchy or contemporary as ‘YOLO’ -Rapper/Singer Drake’s 2011 remix of ‘You Only Live Once’ had everyone ‘gassed’ by creating the acronym which leads people to do the stupidest things under the guise of a frivolous acronym, it’s not as classic and airy fairy as ‘Carpe Diem’ -seize the day in latin, but these four words are as blunt, powerful, and simple as a direct order can be. By Any Means Necessary, do what it takes to achieve your dreams, do what it takes to defend your position, to fight all injustice, discrimination, segregation. These four words are revolutionary, they’ve always resonated deep within to the point that I say ‘By All Means Necessary‘, why? Because whatever opportunity I spot, I’m taking the chance to roll that dice and advance forward. In February 1965, less than a year after leaving the NOI, he was assassinated by three of it’s members -rumoured to be at the hands of the CIA and every other etcetera type of global elite governmental oppression organisation.

Each T-shirt comes packaged in a limited edition ‘paper toy’ New York subway carriage. The toy is handmade, featuring exclusive artwork, with each print in the series coming with it’s own subway carriage collectible, covered in Alexander Hughes’ illustration and artwork. The significance of the ‘Subway Cart’ dubbed with ‘Tags and Burners’ is a direct reference to New York City Graffiti artistry in the mid to late 70s throughout the 80s when graffiti legends such as Dondi, Seen, Zephyr, Lady Pink, Futura, Duro, Cap, Skeme etc ruled the subway lines and metro network of NYC by employing guerrilla tactics to the NYPD and subway maintenance workers who’d stop at nothing to ensure these artists can’t distract commuters and the general public from their humdrum existences with colourful and vivid artworked snaking it’s way through the poverty stricken crevices of the big rotten apple.

Alexander was born and raised in South East London. I met him briefly whilst doing a stint at 6th Form but whilst I was into Beats, Rhymes, Graffiti and Blunts, I had no idea that Alex was cooking artwork up in the notepad. Fast forward ten years and he’s turnt sketches into a clothing line ‘New Crack City’, a toy manufacturer ‘Hip Hop Toy Shop’ and an active street artist who showcases his work at many exhibitions. Alexander Hughes is a self taught artist, teaching himself how to paint graffiti, tattoo and animate. Drawing inspiration from meditation, philosophy, renegades and the rise of the downtrodden to places of prominence, he has a passion for directing projects creatively as a means to materialise his imagination. I respect what he’s doing creatively because it’s not just an empty logo on a t-shirt, it’s something steeped in depth, it’s conceptual creativity.

Store | Hip Hop Toy Shop | Facebook | Behance | LinkedinTwitter | Tumblr | Website

Ghost.

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Supreme X VANS Era – Camouflage (Tony Tiger’s)

“On the subject of military-inspired and camouflage design, Supreme announced its Summer 2011 collaboration with VANS today – included are a series of  Era with close resemblances to the Tiger Stripe camo pattern used during the Vietnam War era. In Olive Green, Orange, and White, each canvas upper is draped with black stripe graphics.

The second bestest colourway

To complete the design,  finished all pairs with leather inner lining and checker board leather heel tab, a subtle yet distinguishable hint between these and ’ general release editions.  All will be available this Thursday, May 26th, at both  retail locations in New York and Los Angeles.  Plus, its online store atwww.supremenewyork.com.  All follow by a release at all retail locations in Japan on Saturday, May 28th.

Release Dates:
May 26th, 2011 (Thursday) – NY, LA, & Online” (via Fressnessmag.com)

Help!!!!! I need these in my liiiiife but I don’t live in the states. I don’t live in Japan. I’m fucked!!!!!!!!!!!!!!!!!! Can someone get through to RaeRae and tell her to send me a pair of the Tony Tiger colourway!?!?!?

Oh Rae Rae!!! I need help!

Tony The Tiger from Frosties colourway!!!

 MAY 26TH THEY’RE ONLINE!!!

Oh SHIT I’M ONE DAY LATE!!!!!

If these are overly expensive they can go fuck themselves!!! -in the nicest possible way might I add, I’m a size UK9, EUR42, US10 for future reference.

Peace

K O

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Legend: Bob Marley

Let me just start by saying that if you think you’re a certified music expert and you haven’t heard of Bob Marley, you are officially a waste of space and you should kill thyself as of now by hurling yourself in front of a speeding train, getting hit but not killed and slowly dying in the underlay of the rancid carpet of a crackhouse on the hundred and sixty sixth floor of a dingy tower block in the midst of a Mumbai slummmmm!!!

Via Wikipedia

You’re probably asking why I’m so excited to feature the legendary Robert Nestor ‘Bob’ Marley… well if you didn’t know… I was and his greatest fan back in the ’80s when I was a bambino! I used to watch a VHS tape (hell yea I’m that muddafuuukaaarin ‘ol skoool!!!!) of a concert he did in London me thinks either way I’d watch it day and night.

Since today marks the 30th anniversary of my bambino-ish idol’s ascent into the stars, I chose to don a denim shirt as the legend himself and a pair of Vans as a substitute for the Clarks he used to wear.

My Tribute Ensemble

I’ve also downloaded and shared a mix courtesy of Sweden‘s finest sound system, Safari Sound an

Twitter: @SafariSound

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Style Street – Zack Tate x MNEK

So I set out to get to Pure Evil Gallery in Shoreditch, as I’ve been trying for days on end to no avail, and I ended up beginning a new feature in the process. I met some really interesting people today which made me feel as though I had some extraordinary intuition because the two people i happened to stop was purely based on what they were wearing. I was intrigued by their style, the way in which these gentlemen composed themselves signalled that there was a story to be told. Also, I had this on the cards for a while and I had my contact cards with me to cut 99.9% of the awkward explanation.

Zack Tate

Zack Tate - Marc Jacobs European Visual Manager

Zack is a local resident who has lived in ‘the ends’ for four years, having previously moved over from New York. His occupation see’s him jet setting all over Europe and the America’s, whilst in pursuit of his pastime -collecting pieces from his favourite designer, Jeremy Scott.

Jeremy Scott x Zack Tate

I’m a young boy living in London, I do Visuals / Creative for Marc Jacobs and spend most of my time traveling Europe…

Big Pimpin'

Here’s Zack in action, word on road is that he’s an avid stylist too…

http://zacktate.com

@ZedTasty

MNEK

MNEK - Student and Singer/Songwriter/Producer

  • Jacket: Ebay
  • Shirt: Daddy Dearest
  • Mirror Watch: Ebay
  • Robot Chain: ASOS
  • Glasses: Ray-Ban
  • Pants: Jacamo
  • Kicks: ?

MNEK (em-en-ee-kay) is a 16 year old student who is carefully trying to juggle his GSCE’s with being signed to a Publishing deal at EMI. Currently working with Nathan Retro -Tinchy Stryder et al- their collaborative production landed a spot on a Nike ad for the new ‘Air Max Lunars’ featuring Mario Ballotelli.

MNEK also remixed Tinie Tempah‘s Written In The Stars, which landed him a spot on The Very Best of Now! Dance 2010.

Keep an Ear out MNEK because he’s onto big things! To keep up to date with him, go here @MNEKtweets (I would refer them to your myspace but it fucked up my macbook so many fucking times that I suggest you get yourself a soundcloud or a fucking bandcamp account -I do say it humorously and seriously in unison so laugh but still I’m annoyed that it held me up a few fucking hours)

My Reassurance

The moral of this feature, is to highlight the important of being inquisitive, the importance of following your instincts, and taking your intuition seriously. (Roll your eyes and sigh if you will but it’s true)

I had this teacher in the 3rd grade at Tidemill primary School called Miss Robson. The first ever day of school she sat us all down in the classroom and proceed to give me, what was to be, the most practical advice ever bestowed upon any impressionable seven year old. She said…

Always be inquisitive, never be afraid to ask questions.

Had I not been intrigued by both Zack and MNEK, I would never of asked to take a picture nor engaged in any conversation to find out what it was about them that I found so intriguing. As someone who appreciates art in all its limitless forms, I find an individuals style most intriguing. Style says a lot about not only someone’s mood, but it tells you more about them than people care to realise. I didn’t know of Zack nor MNEK beforehand -I had heard of people around them and, probably knew of people who knew people that knew them but that was it. I believe that my intuition picked up on their inner creative energy that radiated forth, and by following my instinctive reaction to request a picture, I connected with two new creatives from opposite yet similar polarities of experience and creative disciplines. (No this ain’t the Mystic Khally moment before you roll your eyes and they get stuck at the top of your eye lids, I’m just calling it how it went down)

The important lesson to remember is that life is about energy, and that having a business card cuts of 99.9999999% of the awkwardness and questions because when they see your contact details on the card people feel reassured especially when it’s high quality matt gloss from moo.com (nice lil plug cah I need the masses to know manamans steas ya gemmme famalambilloskizzle!)

Next time I shant have to explain why I stop random people in the street and ask to take pictures ha!

K O

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Kara Messina: Yagga Y’OH!

Last month I stumbled upon a Grime obsessed designer and intellectual by the name of Kara Messina. I was scrolling through my twitter and read a retweet with a link to an article about a designer who was currently working on a menswear collection to be launched on 280411. I started following both Y’OH and Kara after reading an interview which housed this image on March 18th. After various twitter exchanges on the beauty of Air Max 1s, I learnt that Kara Messina was a accomplished pattern cutter who worked in high fashion for 6 years, with a background working for award winning footwear designer John Richmond, as well as pattern-cutting for designer labels Basso & Brooke and Aquascutum.

Her skills as a pattern cutter allowed her to cut the collection herself so even the fit of the garments aren’t stereotypical to what’s around at the moment. She describes the silhouette as having a 90s feel to it “No skinny looks, Big Up oversize!”.

For Y’OH I’ve NOT used any checked fabric. There’s no point in rehashing another version of something that is already great as it is. Instead I’ve selected an existing cloth that has the potential to function as a “new classic”. Yeah it’s bold so I’m expecting some people might find it objectionable (hence the collection title) but it’s also a very beautiful fabric so if men can appreciate that, it can’t fail. What makes it so original is the context in which it is presented, which is streetwear.

So this is a designer who understands that it’s better to find your own niche rather than jump on to something that’s already been accomplished, similar to Missoni and their signature knitwear, Levi’s emphasis on denim, Nike’s emphasis on sport shoes. All brands just mentioned all respect their specialities, all have their signature ‘stock’ products which almost never change, whilst they may introduce a product to the market or reproduce a product under their brand, the question is: What gap is Kara going to fill, with no press shots of the collection, everything is pretty much a mystery unless you’re apart of her inner circle of creatives, family, friends, collaborators, and creatives.

Cut in three colours, one of which is printed fabric

Y’OH will consist of outerwear, shirts and non-jersey tshirts. The context of the printed fabric used in the collection is set to blow your minds. Inspired by comparing Hip Hop to Grime; Mens transition from youth to adult; 90s Fashion; Subcultural affiliation to brands and functional performance garments.  The market level is in between luxury and streetwear and will be sold on the online Y’OH store. The collection itself intrigues me because Hip Hop and Grime are basically the father and son when it comes to Culture and Sub Culture. Also many of the grime kids go on to become pop stars on music that is much slower in pace and closer to Hip Hop. Whether this transition is so one can tap into the global phenomenon of it’s father or artists leave grime behind because they don’t believe in its commercial viability is unknown but when mentioning Hip Hop, or their progression, a whole host of these artists use the terminology ‘growth, progression, and transition’. Does this indicate that when MCs were making grime they were young, sub culture, but when they grew to adults -not indicative of age- and made Hip Hop, father culture?

Either way, I’m intrigued to see how well Kara straddles the line between the two in order to plug the gap, and whether she answers the questions raised in the form of her collection ‘Heads Ain’t Ready’.

The concept for the first collection “Heads Ain’t Ready” came about though contemplating the popularity of the checked shirt. The much-loved garment that is timeless and unrestricted in that it crosses over into different generations and subcultures (Hip Hop, Skaters…) The checked shirt is considered such a classic, that regardless of the number of colours, wearing it is almost like wearing black. It performs in the same way that it pretty much goes well with everything. Camouflage print also functions in the same way.

Judging by this in depth and revealing interview with Full Frontal Fashion, Kara seems to aiming to take something that is already a classic garment and innovate in a contemporary forward thinking context. Kara knows that trend cycles come around every so often, but iconic designs such as the checkered shirt shall forever remain -most notably the Burberry print which has lasted several generations and still remains a staple house in chequered shirt design, or its lesser known but cult rival, the Aquascutum print, or even the Lumberjack checkered designs and those by Pringle (Argyle) to an extent.

My interpretation of Kara’s collection would be what Ralph Lauren did ,in the early ’90s, with the Oxford (candy) Striped shirt. The Oxford shirt rivalled that of Burberry’s iconic check which was created in the 1920s, first used as a lining in it’s military trench coats. After Polo dropped the ‘candy stripes’, Ben Sherman resurfaced out of nowhere to become the brand of choice after RL and Burberry for a checkered -oxford style shirt.

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Shirt Fusing: 1 is the top collar, 1 is the underneath collar (a little smaller), 1 is the collar stand

The more interviews I read was the more the anticipation for the collection grew, I began to realise that Y’OH is more than a street label, it’s more than clothes, cuts, garments, and image. Y’OH is a philosophy of contemporary sartorialism, it’s not just about the aesthetics of an item, but whether its ergonomics are conducive to both user and lifestyle. Not only was Kara research trends, styles, cuts of clothes but she was going further afield by delving into cultural anthropology, semiology and semantic, social studies, esoterica and attending the free afternoon lectures at the LSE to see if there was anything she could apply for her craft.

I’m also a fan of the free lectures at the London School of Economics. My job is to find out what is missing and provide it. I am at an age where I don’t strive to be unique — or, to be more specific, to go out of my way to be different.

It was here that I began to respect Kara rather than just admire her for being an accomplished pattern cutter who was in the process of creating her very first solo collection which she had conceptualised, illustrated, designed and cut herself rather than outsource the work to outsiders, it’s a purely individual effort. Y’OH to me already signifies individualism and style before fashion, and the more importantly a lifestyle because Kara is at the helm of all activity and decision making, working to her strengths and showing strengths in outsourcing the sewing and assembling of the garments to local factories. it’s at this point, before anything has been seen that you respect Kara for supporting her local factory rather than taking the cheaper, less hands on approach and sending it to some sweatshop in a third world country. I’d support the brand purely on the basis that she cares enough for her local economy and the quality of her garments, as well as making the garments ready to order to make sure all items are fresh rather than piled up in an asbestos riddled attic being eaten by dust mites.

I see my work as providing a service, especially being a young female designing menswear. I am very careful to be thorough in my research. Hence images alone won’t suffice, and I spend a large proportion of my time reading cultural textbooks on subjects from music to advertising through to religion.

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This is the front of a shirt (pattern) before it gets cut out & sewn up

I support what Kara is doing because she’s immersed herself in a subculture that people often forget and leave behind when they progress into the charts. For me, this is not just clothes, it’s the resurgence of a culture, a rebirth of something which formed an integral part of my life as well as many others. This is the rebirth of that which, had I not had it whilst growing up, I would never have learnt some of the most valuable lessons, and I would never have had a creative outlet for all of my teenage angst, and adolescent rage. Had it not been for Grime, I would never of had a dream, I would never of had something to keep me on the straight and narrow because of my firm belief in turning a negative circumstance into something positive. Besides, the emphasis of the collection is transition, and Kara seems to be attempting to cater for the gap in between boys to men -a demorgraphic which grime caters to because of its unadulterated energy. Maybe Kara is saying that Grime is not just for one particular demographic with this new collection she has made the choice to build her foundation in the gap between the childs innocence of eye, Grime, and its much worldly ancestor, Hip Hop.

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Will the Y’OH collection be the catalyst of change, if Kara has immersed herself in the Grime subculture will she become the Dame Vivienne Westwood of our beloved culture, will this encourage other creatives as well as those who have already been a part of the culture, in some shape or form, to take more of an active roll in pushing it forward?

I don’t have the answers, I doubt she has either, but I believe that the stars only align themselves once so if your in the London area on 280411 make your way down to Pure Evil Gallery in Shoreditch and see for yourself.

Here’s a lil teaser… I was thinking the same when I saw this it was cleverly put together by Beatrice Alessio

Stayed tuned because now I’ve dealt with the culture’s Vivienne Westwood in a part 1/2 feature, I will do a spread on Grime’s Annie Leibovitz in the near future…

Keep Grime Alive

K O

Invest In A Shacket

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Shackets are great for this kind of weather when the temperature fluctuates ridiculously and the light jacket you’re already wearing feels like a North Face goose down knee length coat!

I got mine from Topman for around £34 -not including the staff or student discount of 10%.

Summers too short to suffer -especially the British spring/summer whose indecisiveness rivals that of New Zealand in the most extreme cases! *excuse my nerd*

K O

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Steed Lord – Listen Up!!!

Straight from the depths of the Scandanavian wilderness, Iceland to be exact, is a group of four individuals who make that ‘got you up all night on the dance floor party anthems’.

STEED LORD is a musical performance art project working on the frontiers of pure creativity and music making with impressive and energetic live performances, experimental filmmaking, photography, fashion design and styling, art direction, graphic design and other visual mediums.

The threesome KALI, MEGA and DEMO all hail from their nativeIceland where they grew up in the entertainment and art world learning their craft at an early age in their fathers studios.

Drawing their raw inspiration from their Icelandic background, they have managed to create a world of their own that they call New Crack City where they create their art and write their music.

Steed Lord have since early 2006 been a 100% DIY project and toured all over the world with their music performing for thousands of fans while being featured in numerous magazines, on music and fashion blogs, in TV-shows, on radio and they even designed a clothing line for retail giant H&M.

Steed Lord are independent musicians and release all their music on their own label New Crack City Records but they have also licensed their music and remixes on record labels such as Ed Banger Record (FR), Dim Mak (USA), Southern Fried (UK), Get Physical (DE), Disque Primeur (FR) and One Love (AU).

Steed Lord´s goal is to keep creating and exploring their own unique sound along with expressing their personal vision through their artistic outlets.

I first discovered Steed Lord on a whim whilst going through random song files to download. I was blown away when Ilistened to the DJ Medhi remix of Dirty Muther but my favourite Steed Lord song is ‘Take My Hand’, The Mustard Pimp remix is phenomenal!!! (I don’t use that word but there’s no other explanation for the tunage!!!)

Hangover Club – Doing It Again (MAD Fly Unit)

I peeked this vid last week and liked the whole vibe, it’s reminiscent of the whole US underground movement; Kendrick Lamar, Dom Kennedy, Wiz Khalifa, Mac Miller et al. It seemed that it was a feel good, fun sorta vibe.

These dudes are from uni and funnily enough I bumped into the producer Camp Mulla, and Ade Flownerdia who featured on the hook, whilst they were filming an episode with Denis Novojilov for -something- TV… I rudely interrupted, on my way back to the Faculty Music office, and now I’m going to hear some exclusive snippets from their upcoming project at 1730. *Who says bad manners doesn’t pay eh?

Excited much?… Moreso intrigued because I know I’ll be in for some synthtastic bangers, and I finally get to hear some London anthems!

Disclaimer: Doing it Again is a song by an artist, who also attends the uni, called Idris Jones but since Hangover Club formed the bulk of production and I don’t know whether Idris is a member of the extended family, I put them in the title.

K O

“In Your Eye” by Hardy Blechman

I ran into this intriguing rucksack on my travels and thought I’d share it with you. There’s more to it than meets the eye…

Riflemaker’s ‘Voodoo’ group show

Price GBP: 2,300.00

“The exhibition features the work of those artists, writers and musicians who acknowledge the need to reach a heightened or ‘altered state’ in order to create their work. We are concerned with the mystery of the creative act. Not the inexplicable ’spark’, aka inspiration, but the fire; the non-doing before the doing, the summoning up of elemental spirits from within, or without, during the preparation of some visual or musical work, some theory or idea. This welling-up or ‘possession’, this ‘fever in the heart of man’, this spirit, this spell, might sometimes be referred to as Voodoo.”

The Eye

“When slaves from West Africa, Ghana, Nigeria, the Ivory Coast and the Gambia were taken by Europeans to the West Indies, many were destined for Haiti (Hispaniola). As they mingled on the tiny island, no groups’ influence was greater than that of the Yoruba and Fon people who ruled the huge kingdom of Dahomey which sprawled across most of the countries today known as Benin, Togo and Nigeria. The majority of the Haitian slaves were taken from Dahomey.

Embroidery and Acrylic on US Army Marpat (Marine Pattern) Rucksack Recycled to Pyramid / 46 x 36 x 33cm.

“The core function of Vodoun – the Fon-Ewe word for spirit – is to attempt to explain the forces of the universe, influence those forces, and thereby influence human behaviour. Permitted by Haiti’s 1987 constitution, books and films published in that country have sensationalized the practice as black magic based on animal and human sacrifices. Today in West Africa, the religion is estimated to be practised by over 30 million people. Vodoun became the official religion of Benin in 1996.”

A majority of people fail to understand that monotheism such as Christianity and Islam were not the original religious practices of our ancestors, if like me you are of afro-caribbean decent, they were enforced through crusades, invasions and slavery. Spiritualism in West Africa is as diverse and popular as it was pre slavery. People often practice both belief systems side by side as they do in Brazil with Candomblé.

“Candomblé, Umbanda, Batuque, Xango, and Tambor de Mina, were originally brought by black slaves shipped from Africa to Brazil. These black slaves would summon their gods, called Orixas, Voduns or Inkices with chants and dances they had brought from Africa. These cults were persecuted throughout most of Brazilian history, largely because they were believed to be pagan or evensatanic. However, the Brazilian republican government legalized all of them on the grounds of the necessary separation between the State and the Church in 1889.

In current practice, Umbanda followers leave offerings of food, candles and flowers in public places for the spirits. Candomblé terreiros are more hidden from general view, except in famous festivals such as Iyemanja Festival and the Waters of Oxala in the Northeast.

From Bahia northwards there are different practices such as Catimbo, Jurema with heavy Indigenous elements. All over the country, but mainly in the Amazon rainforest, there are many Indians still practicing their original traditions. Many of their beliefs and use of naturally occurring plant derivatives are incorporated into African, Spirtitualists and folk religion.”

I’ve witnessed this first hand upon my travels into West Africa, the Middle East and the  Caribbean. Our perception to religion and spiritualism, collectively throughout society, is very elitist, ignorant and snobbish. When you travel further outside of the western culture you begin to witness spiritualism as a way of life, there’s no line between the two, it’s a totally different set of guidelines, there’s no co existing either, it’s servitude to the most high and the divine spirits throughout the cosmos which grants some explanation to someones existence…

Maybe it’s time to reconnect with the spiritual practices of our ancestors.

My views aside, I just wanted to share this rucksack with you and the conception behind the idea. If you are interested in reading up on the exhibition, artwork, designers, and history behind the concept, click here.

K O

Nike Air Jordan 3 Retro (black/cement grey)

I ain’t jumping on no bandwagon, I had these when I was a bambino so to all you cheap ass muthafuckas who weren’t so fly, and wore the no name kicks, beat up plimsoles, or had to wait til you were getting £££ off the strip to look fly… meh. I been had these and simply want them again!

*breathe*

“The Black Cement Air Jordan Retro 3 (III) color-way is one of the most well known models and has only been released once since its 1994 re-release. The shoe is simply Black and Grey and with the traditional Air Jordan Retro (3) III elephant print.”

The only reason why I haven’t got these yet is because there’s so many counterfeits going around and the legit pairs are like $700… Like I can justify paying that amount for a pair of sneakers that I’ll hardly ever wear because the fucking sun doesn’t shine every day. I don’t know about y’all but the days have gone when I actually cared about being exclusive, that shit doesn’t faze me, I know how to rock em whereas some of y’all fuck em up for everybody by wearing em wrong… Just like your corny ass did to Polo and New Era: Real connoisseurs know that big ponies are for the flashy twat who has no style, and outlandish looking loud coloured beat up caps are for the eeediats who can’t afford a new one.

I’m off that and I’m on this…

I’ve got my ££££££s saved for my Black Cement Air Jordan Retro 3 (III) for when I hit states, and get released over here, either or what ever one comes first.

They shall be mine!!!

K O

(I was in character so some parts may require an accent)