Click Artwork To Download Album

Amede Soundsmith – Flashing Lights

Amede Soundsmith is a singer, beat maker and mix/recording engineer from East London who’s submitted many an EP and track to the inbox but unlike previous emails, the Flashing Lights EP caught me at the right place and right time. I began to listen and finally understood, not only did I finally understand but I was in an environment where I could listen to the EP with no distractions. It was at this point that I realised that my ears were finally ready to consume such beautiful and trance inducing music.

KO: Where are you from?

AS: I’m from the sunny side of East London with Nigerian & Zambian Heritage.

KO: What’s the meaning behind the name Amede Soundsmith?

AS: It is what it is really, Amede is my real name which means ‘water has no enemy’ and Soundsmith is something I created myself from blacksmith, which is one who work with metals and a locksmith, one who creates keys and locks. I produce art using sound not just as singer or beat maker, but also as a mix/recording engineer and radio selector hence the name Soundsmith. All in house I guess!

KO: How would you describe your music?

AS: Phrraa! Well. This question gets me every time. I like to call it, Electric Soul, Electroganic, Alternative Progressive blah blah…. not too sure to be honest. Some call my music Experimental Hip Hop, and others call it Future Soul, at the end of the day we always compare what we hear to the closest other thing to it that we know of. I’m not against being placed under and genre, many artists out there complain about that ish… ”ah! I don’t wanna be put in a box”, …but if it makes it easier for your listeners to find you then BAM! That what you want right? [#PassionateRant LOL]

KO: Musical Influences?

AS: In my early teens, Joe! The first song I ever performed was Stutter! When I was 17, The Soulquarians… Anything by Dilla or by Stones Throw Records got the green light with me. Of late it has really been a mix of M.I.A., Frank Ocean, Friendly Fires, Dam-Funk, Kanye, Theophilus London, Dorian Concept, Jesse Boykins, Hudson Mo, Gold Panda, not forgetting… Marvin Gaye, Dionne Warwick & Marc Moulin! Kwes, Sampha & Azekel are three of my favourite UK artists right now…Google them!!! “…if you don’t know, now you know n****” #NotoriousB.I.G.

KO: Upcoming projects, collaborations and tour dates we should look out for?

AS: Hmmm that would be telling! I’m actually gearing up to start recording the next EP with even hotter production, we I think so lol. And I’m thinking about the next two projects after that one #ForwardThinking . I’ll doing more stuff behind the scenes with Azekel and a few others which are to be confirmed. Nuff said!

What I love about Amede and artists in a similar vein is that they are unafraid to explore the boundaries, they are unafraid of letting go of all restrictions whether structural, sonically or conceptually. For Amede, music doesn’t seem to stop at mere self expression or creativity, I detect an underlying passion to bridge the gap between corporeal and ethereal, Primrose Hill and Labyrinth being perfect examples.

Amede Soundsmith to me will sit in the same iPod playlist as Quadron, Kwala, Boom Clap Bachelors and Made In Heights, all of whom I’ve discovered on a whim and gone on to listen to their music near enough every single day.

Click Artwork To Download

Tumblr | Soundcloud | Facebook | @AmedeSoundsmith | Bandcamp

What do you think of Amede Soundsmith?

  • Do you like his sound?
  • Is he your type of artist?
  • Does he inspire you to step outside of your comfort zone?
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Amy Winehouse – Stronger Than Me (Alby Daniels Remix)

I was surfing the web, as you do whilst checking mail in the early part of the day, and I came across this GEM of a remix. As some of you may already know I love Amy Wino, she is the ULTIMATE BAAABE, her debut FRANK being one of my favourite albums of all time, so favoured that I refuse to listen to anything that came after because I wouldn’t want to taint my divine perception of HRH Amy Winehouse. It’s probably seven months since Amy’s departure but I’m still reluctant to acknowledge her passing because it’s waaaay too painful to come to terms with.

Stronger Than Me was the first tune that got me hooked on Amy. This bootleg is my dedication to her -Alby Daniels

Sure everyone’s saying to themselves at this point in time “Oooh what about Whitney, what about MJ?” but I weren’t heavily into them on a personal level. Sure I had their music enforced on me from a young age but I actually picked up Amy’s first album a few years after discovering her Stronger Than Me video and I listened to it religiously for months, years even. No other albums apart from Reasonable Doubt, The Blueprint, Ready To Die, Illmatic and Midnight Marauders have me running back for a listen as much as Frank, it’s timeless. I think I’m amazed at how skilled she was, bamboozled at how she had become the master of her voice, how she had tamed it to the point of wielding it around with such ease.

Amy had found zen, Amy had spiralled so far within to strike light and become master of a troubled, pain riddled, melancholic vulgarity with clear but slightly hazy vocal tones that would become her signiature untamed, and bastardised style.

*All I wanted to do was show you the remix but as always I share the personal connection because that’s what music is about, shared sentiments…

Ghost.

Izzy Toshi

Introducing #1 – Izzy Toshi aka Magik Skillz (Producer/Beatsmith)

Izzy Toshi a.k.a Magik Skillz is a producer/beatsmith from North London. I caught up with him in the midst of a major studio overhaul, a busy production and studio session schedule to talk all manner of things from rebranding himself Izzy Toshi to improvisation and musical infusion.

Izzy Toshi is a befitting name to this artist because his real name is Israel Omotosho, he’s a self taught pianist who was born and raised in Nigeria before moving to North London at the tender age of six. Izzy recalls that his first experiences of London were shock because London was densely populated, ‘They live too close together’, as opposed to back home where there was a fair amount of space between neighbours. A man of very few words, Izzy Toshi is a humble observer who chooses to express himself through music. I thought he’d object to becoming Izzy Toshi but once I explained to him that for a production and skill set so eclectic, he needed a name that would not only stand out but represent himself, his family and cultural history.

Facebook | @MagikSkillz

I met Izzy while studying a Fda Popular Musician degree at British Academy of New Music in London, where alumni include chart toppers Rita Ora and Ed Sheeran, so I’ve seen the progression in sound and skillset. He’s produced and remixed for UK artists Kasha Rae, Kristina Shashina, Tyme‘s Money and a whole host of artists from the African diaspora. He’s dabbled in a variety of genres across the musical spectrum from Afrobeat to Rap, House, R&B and Pop. Izzy Toshi is someone who stays open to experimentation so if your looking for a producer, remixer and beatsmith/collaborator, look no further.

Ghost.

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Foxxx Factor #1 – JoJo

It seems like eternity since she burst onto the scene with the ‘Get out/Leave’ song where she was out in the rain prancing about in a tracksuit but my oh my have the years flown by. After a long hiatus JoJo is back! No longer thirteen years old confined to a jail bait box she is ripe for the picking, she’s slender, she’s foxxxy, she’s also 21!!!… It’s peak times if I ever run into her cah she’s gonna get scooped up like vanilla Haagen-Daaz!

Beauty and smash factor fantasies aside, I love how she came back with the signature acoustic sound that showcases her vocal ability rather than jump on the techno-pop wave. For that I rate you highly because you’re back on your own terms catering to your core audience and the fans who’ve stuck by you from day one. I like that you’re providing a mature voice to those that like you have grown into adults too.

Foxxx Factor Rating: fx-TRILL (peak levels of smash-ability)

She also gets points for being the only artist to cover Amy Winehouse that hasn’t made me cringe. I love you JoJo, when you come to London I’ll have a Nando’s whole free bird card with your name on it. <3

Twitter | Facebook | VeVo | Website

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Corinne Shields – Maybe I’ll Miss You (Audio)

I’ve found a new ‘favourite’ artist that I’ll be on the lookout for in 2012!

I was doing the sporadic twitter/soundcloud rounds when I come across this song Maybe I’ll Miss You. At first I didn’t think much of it, I slyly dismissed it but I got to the chorus and I was like “WHAT THE FUCK!? THIS IS A BANGER!”. It was there that I began to share it on my Tumblr blog whilst listening to it and sorta started writing a commentary in real-time. Since posting it I think I’ve listed to it a few dozen times. At first I didn’t know why I loved it so much but then I put my finger on it, she has an angelic vocal timbre similar to Ellie Goulding. It’s also the way Corinne layers her vocals, the harmonies, the ad libs -simply majestic, add that to her overall sound and song choice; an amalgamation of quirky, ‘booty shaking’, feet shuffling electronica (UK Garage), and a piano ballad with sprinkles of manipulated oscillators on a variety of modular, granular, and additive synths -reminiscent of my gaming excursions on Nintendo gaming consoles in the late ’80s/early ’90s, it’s no wonder why I’m captivated by this particular song.

Corinne Shields’ Maybe I’ll Miss You has won a place ‘Up In My Ear‘ because she -with the help of a creative collaborator perhaps, has managed to capture the sentiment of nostalgia almost absolutely. Also befitting of the song title and subject matter -WELL-FUCKING-DONE!

Live Tumblr Commentary

Randomly seething through twitter/soundcloud before finding this. Flicked through it and fell in love with it. Not perfect but I’d love it because the chorus is sick and it reminds me of one of those video games, you know the travelling through space in a spaceship on a mission to rescue Zelda…

Pretty much wrote this as I’m listening and I’ve just heard the breakdown… The backing vocals, harmonies are on point. She’s looking for work as a writer so artists and producers get in touch.

The track continues to grow on me with every listen, by the time I got to this sentence I had actually began to listen through all the other tracks.

corinne_shields@yahoo.co.uk | @CorinneShields

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McKenzie Eddy – Do What You Want To (Video)

I’ve been admiring this lady from a distance and I can’t make up my mind, I’ve downloaded a few mixtapes from her but failed to listen because I haven’t been in the right frame of mind. I keep hearing a few bits and pieces but I haven’t heard the right track until this…

It’s on the same instrumental that Curren$y used for ‘Boarding pass’ and I think she does a pretty great job at sitting on it -minus the flange and modulation effects. I’m still waiting to hear the right set of songs from her but I love her voice and pronounciation -not so weird when you think about it- and the visuals are magnifique, another thing you gotta love about DD172.

@McKenzieEddy | Website | DD172

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Graduate Stars #1 – BANM/MAD (Westminster Uni)

I studied a Popular Musician foundation degree at the British Academy of New Music before progressing onto Westminster University to receive a full BA Honours in Commercial Music. I met a whole lot of ‘characters’, the reason why I use the inverted commas is because the friends I made and people I had encountered had bags of charisma. My fellow students radiated star quality and passion, I’m proud to see them making steps towards stardom on a global stage…

My 'get legless and save money' mentor

1. Mista (Matthew Robinson) – This guy is a real cool dude. When I arrived at BANM for the tour he was always singing at their showcases and telling the story behind the song inbetween. Quite a character, a big drinker, who knows how to party student style. He also taught me the student trick to get drunk and stay rich, drink pints of Stella rather than spirits.

Mista – Rescue

(produced by The Writers Block)

Directed/Edited by Haile Arefaine
D.O.P/Colour Grade by Alex Seery for Loner films
A.D/Producer Catriona Mcavoy for Loner films

Available to buy on iTunes

@officialmista | @writersblockuk | Like Mista

Crazy Swoon

2. Amy Love (Amy ?) – Amy has pretty much always been a mystery… Known amongst a small circle of the XY BANM-ites as the lady with the great pins, I was deeply intrigued. I never heard any music and thing wondered if her music was as classy, sassy and edgy as her style but after watching ‘Do It In The Car’ my doubts were silenced.

Amy Love – Do It In The Car

Directed and Edited by Tom Clarkson

@AmyLove_Music | Like Amy Love

3. El Suavo (Mauro Christiano) – This guy is a supercool cat -feeling jazzy like Fab5Freddie. All he does is make beats, all day every day. He doesn’t smoke weed but makes those deep space nine kinda beats, I’m feeling them a lot because they’re so full of those video game noises that take me back to ’89.

I got a lot of love and respect for Mauro because not only is he a real humble dude but we came up the same way: Playstation production games like Music2000 before moving on to Fruity Loops and the rest of them. I believe he’s gonna be big, combined with the right rapper/singer/DJ he’ll be breaking through the stratosphere in no time… good luck with your final year amigo!

@suavodadon | soundcloud | Like El Suavo

Juliyaa – The Rhythm (Video)

This is a proud moment for Deptford Green Secondary School’s class of 2001 because this video was directed by a friend and fellow classmate, Richard Price. Not only is he a self taught video director, he also owns his own multi media company, website -Fwd 360, and consultancy service. Big up Richard ‘Mics’ Price and the team at The RIR

www.TheRIR.com

Production Company: The RIR
Director, Producer, Co editor: Richard Price

Assistant Producer: Kara Francis-Lyons
Cinematographers: Paul Hines, Jason Brooks
Editing, Motion Animation, Art Direction: Gavin Driver
Stylist: Marie- Louise Annan
Makeup Artist : Kelly Mendiola
Make up assistant: Teresa Reynolds
Hair design: John Mullan and Kris
Manicurist: Steph Mendiola
Props and Set sourcing: Will Hannes @ The Old Cinema
Dancers: Kloe Dean and Aleta Thompson

Colour Grader: Sonny Sheridan @ The Farm

JESS

Jessica Symonds ‘Old Days’

Funnily enough I met Jessica Symonds at the Westminster University BMus end of year student showcase at Cargo where our mutual group of friends politicked about music, spirituality, and whatever else whilst smoking cigarettes and downing pints -as students do- before we got drunk and ran the dance floor until the lights came on.

Quite the siren indeed...

I remember Jessica telling me about a project she was working on, but when I heard nothing for quite a while I seemed to forget -that and the fact that I was heavily intoxicated- until just now when I had seen the visuals. I really expected some Rhianna type of music but I was blown away to hear a Jazz/Soulful sound, complemented with sultry seductive vocals with painting pictures of a bygone era where a whole lot of teens would sneak off to the park to have a tipple of Lambrini -teenage class indeed.

Excitement and hype aside, I present to you Jessica Symonds, the nostalgic ode to her teenage adolescent years, Old Days

www.JessicaSymonds.biz

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J*DAVEY – Evil Christian Cop: The Great Mistapes pt.2

There’s not a lot of music I hear which totally blows my mind to the point of going crazy and wanted to blow the dust off of my two octave usb keyboard, and open up Logic for the first time in what feels like a millenium, but J*J*Davey has managed to do that with Evil Christian Cop.

Jack Davey x Brook D'Leau = J*Davey

If I'm to be totally honest I can't remember where I caught onto this but it must be the team over at JBC Global because I was surfing around their hive as I've been listening to LA Rap in heavy rotation. After downloading the tape I nearly deleted the muthafugga because the opening track was a cover of Nirvana's 'Smells Like Teen Spirit'. Anyone that knows me fully will know that Nevermind's album status is the rock equivalent of classic albums; Reasonable Doubt (Jay-Z), Frank (Amy Winehouse), Beats Rhymes & Life (A Tribe called Quest), Alright Still (Lily Allen), and Equilibria (Sabrina Malhieros), so any attempt to change anything on such an epic album or any of these whatsoever is a severe violation!

I quickly got over the violation when I heard Quicksand, my jaw literally dropped when I heard the weird synth which sounded like it had been tampered with to sound effortlessly cool and playful but the cherry on top of the cake was when Jack Davy sang the opening line:

I do it like quicksand,
Dontcha wanna get stuck with me?

Fair enough, I hear all of your groans and grumbles but you have to actually hear Jack bending her voice around the modulated and low frequency oscillated synth, it’s only then that you’ll understand the statement that’s being made; its an open invitation to have the magical stuff -butterflies, romance, affection, upon being honest at first so she doesn’t throw herself into a mess as she knows you want her but whether you love her or not is whether you get the goods. Follow?

So after having Quicksand, which narrates the theme of wanted to know whether someone wants more than the surface before you laid your cards out, Raincheck continues with sort of the part two to Quicksand. It’s a laid back contemplative track, smooth, containing lots of drifting synths against a slow steady rhythm section telling the tale of yearning for someone but trying to remain sensible in the mist of confusion.

It’s evident from the soundscape of Evil Christian Cop that J*Davey’s sound can be described as a combination of alternative hip hopalternative rocksoulelectronicafusionjazzpunkfunknew wave and R&B futurists. Growing up, Jack Davey was exposed to classic jazz and hints of late seventies jazz fusion before being introduced to the sound of the eighties with R&B and new hip-hop sounds whilst Brook D’Leau came up surrounded by new wave and pop-rock sounds by the way of PrinceRadioheadTalking Heads and The Police. At an early age Brook began to create interestingly melodic instrumental tracks in his father’s home studio after school and on the weekends for fun. It’s only befitting that Brook share his soundscape with us on the jerky rhythmic oscillation that is ‘Trans’. You can sit there listening trying to work out how he was able to get the rhythm so swung to the extreme and play in such fine order but some things must never be questioned I guess.

My favourite track on the release is definitely ‘Lazy Days’. It’s fun, pleasant, upbeat, synthy, and anthemic, it’s been the soundtrack to my movements whilst London’s been hit by the heat wave. I wish they had put the lyrics to this too because I love it that much and I’d really love to see some visuals for this ep!

Here’s how they described their release:

Evil Christian Cop was inspired by the dark undercurrents that exist in the phrase “To protect and serve.” As producer Brook D’Leau explains, “Why should we rely on an evil stranger to protect and serve when you have the power to protect and serve yourself?” The EP features co-production by Greg Wells (“Teen Spirit”), GB (“Lazy Daze”), and LA-based lyricist DefSound. Full of synths, alluring vocals, and distinct production, the seductive twosome provide a dreamy soundscape for listeners to lose themselves in. Jack Davey and Brook leave all interpretations up to the listener. “We cannot provide the message, we simply provide the mental playground for the listeners’ minds to go wild upon,” says Brook.

http://wearejdavey.com

K O

Next up is this guy, Def Sound, who featured on Quicksand…

Stay Tuned…

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The Weeknd – House of Balloons: What You Need (Unofficial Visuals)

The Weeknd is a Toronto-based R&B singer named Abel Tesfaye. Songs recorded under The Weeknd name first leaked in late 2010, though the identity of the individual behind the project was initially unknown. The Weeknd released a nine-song album, House of Balloons, on 21 March 2011. (wiki)

House of Balloons has been floating around for the same amount of time as Frank Ocean’s Nostalgia, Ultra. This guy seems to be more elusive than Wiley and Waldo because there’s virtually no information on him whatsoever, just the traces of music he leaves behind…

The Elusive Abel Tesfaye (The Weeknd)

In all honesty, I downloaded and forgot about this album until I stumbled upon the unofficial visuals earlier this evening.

What You Need is the strongest track I’ve listened to thus far, it captures that seductive sentiment -hence being on loop in a dark room whilst I’m in the zone (funny-ha-ha but naaaa apt for those seductive situations).

The Weeknd's response to the visuals via Twitter

I suggest you download the album and give it a listen, because it’s proper spaced out, sparse, mellow ‘R&B’. Inspiring and thought provoking to say the least.

Click To Download

http://the-weeknd.com/
http://twitter.com/theweekndxo
http://soundcloud.com/theweekndxo

K O

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Adaggio – Murder [I.T.O] Suspect?

So it seems there’s been a murder in the orchestra, and my homie Adaggio is one of the prime suspects. The incident took place whilst I was out in Kuwait, at around midnight. Word on road is that twelve other soloists died in a barrage of high pitched strokes. There were no trace of fingerprints nor DNA at the scene of the crime, the only thing which links Daniel to the incident are microscopic traces of the finest horse hair -having fallen at the scene from striking the string so hard. Police are holding Adaggio on the grounds that there are twelve tracks on the mixtape, and twelve missing soloists -all believed to have been slain by his mighty violinmanship.

Click To Download

It may seem from all the evidence presented that Adaggio is guilty beyond all reasonable doubt, if so there must be a reason behind the massacre. Judging from the artwork, he could be having a Donnie Darko episode, but instead of Frank, he’s got Vlin telling him to do these things in order to save the earth from the wrath of Vlin. Whether he has pleaded guilty or not is unknown, but at this moment in time, he needs your help.

Adaggio is on the look out for producers to contribute music to his next release. If you feel like going on a crusade against the wackness, send something to:

Producers I’d like to hear on the second installment are:
  1. Swindle - Airmiles, Beat This ep.1, King of Intros 
  2. Goldielocks - Don Diva of the big beats and basslines 
  3. Faze Miyake - Leader of the new wave of Grime producers 
There’s so much more producers who are deep in their own right but these four are ones who are making a whole of noise in my ears right now.

Free Adaggio!

K O